by Vadim Rizov (July 16, 2008)

In 2007, “Rooster’s Breakfast” became the most successful Slovenian film of all time, third in seats only to “Troy” and “Titanic.” (176,807 admissions and counting.) Yet it has virtually no presence outside the ex-Yugoslavia area: appearances at FilmFest Munich and a small Madrid festival aside, its success is a perversely insular affair, built around engagements¬† in Sarajevo, Croatia and the like. If dank, depressing Romanian films can conquer the film festival world, why not a leisurely, ingratiating portrait of small-town life built around drinking hijinx and a low-key romance? (Variety didn’t even review it.) Showing tomorrow and Saturday as part of a Slovenian retrospective organized by Lincoln Center and the Slovenian Film Fund, the most commercially successful film in Slovenian film history is barely a blip on the international radar. Director Marko Nabersnik has a few explanations for both why it’s domestically successful and internationally a little inert, and why the Slovenian film industry generally remains below the radar.

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